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Few cities lend themselves so generously to photography as London. Its multitude of architectural styles, juxtaposing sub-cultures and vibrant multicultural communities make it the perfect backdrop for any budding photographer.
The London Street Photography exhibition at The Museum of London displays just a microcosm of some of London’s finest photographs . But what a microcosm! The photos are as varied as the city itself. Lucid, perplexing, bold, subtle, wild, delicate; wondering around the diverse exhibition you are exposed to both a cross-section of London life and photographic techniques and styles.
The photographs are presented unpretentiously in chronological order, starting way back in 1860 when photography was in its infancy. Though not as well composed, the early photographs are no less fascinating, giving a lesson in history as well as celluloid. However, it is the modern photos that really caught my eye. Images that we see everyday and somewhat take for granted are given new meaning when composed in accordance with the photographers’ eye. A personal favourite of mine and one of the exhibitions most highlighted is The Peacock and the Skip, as seen above.
Accompanying the photos are two short films. One is a simple montage of exclusively modern snaps, the other is an intimate look at London Street Photography through the eyes of some of it’s finest exponents.
The second film I found particularly enlightening as each of the featured photographers’ expose trade secrets that provide insight into finding that elusive perfect picture. Their loyalty towards film made the resulting photographs all the more impressive given the limitations imposed on themselves by not going digital. Romantic devotees or arrogant luddites, one thing for sure is that the decision to stay with film has in no way inhibited their ability to take photographs of impressive variety and quality. But don’t take my word for it, this free exhibition runs until the 4th September so be sure to go down and see for yourself!




Luke Moustache














